1. |
Shafataya
03:37
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Don’t waste your time speaking. It’s OK to love me for my skin, the way I talk, the way I move my hands. Oh so exotic, so exotic… OK, I got it. Now I want you to meet that scum of what you call my kind. Now I want you to hate him bad. Come back to me. What about your sweet words, now? All right, burn. Your sweet words nurse racism like love nurses hate, like pleasure nurses pain, like sex nurses death. Dance on that tight rope. I’ll dance with knives, like my kind use to, don’t we?
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2. |
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Hey, today, I’ve got a new game. Let’s read Article 18, those sixty words outright. Let’s raise high our burning torches. We've got a new hate to celebrate. Conspislamicious. It's her veil. Point her veil. Hide her veil. Burn her veil. The magic trick of not considering what or if you believe lies in this: I don't need you to hide, need you to show. We’d find a light with a light blow on unread in the Article 18. Amen, laymen!
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3. |
Chapelle Sixty-Nine
04:17
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We're hardly two separate people now. I won't apologize for what is going to happen. If you want me to stop, tell me now. We're hardly two separate people now. Now remember, things look bad and it looks like you're not gonna make it. You'll take things into your own hands and keep them forever. I can't stand it any longer but I want to make you cry. I can't stand any longer to make you cry again. Go ahead, make my day
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4. |
Room 23
06:07
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She starts to get her smile back on her face, witnessing how busy she drains.
Getting rid of it all. Rid of it all. What’s new is what is over. Throw to dump is the only step forward. She lives far from fulfillment but what could she welcome? Such a mess to clean first. Lying in complete emptiness, she got rid of it all. Rid of it all. She got rid of it all. And made room, she made room, at last room for some silence.
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5. |
Tongue
06:40
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You Freud, Me Jane Nancy, France
Power trio né à Nancy, en 2011 après Jesus Lizard, empreint de quelques centaines d’influences aussi obscures que manifestes
et lourd d’une tension loin de n'être que sonique.
Reste des décennies et de leurs expériences précédentes (Aghostino, For My Hybrid, Beeswax) un goût prononcé pour la sueur moite des clubs avertis, les riffs ciselés au scalpel et les brise-nuques rythmiques.
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